God of war characters
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This portion isn’t exciting or full of comedy and action like all the previously told stories, but it’s rather emotional. Wrapping up with ‘Obituary’ where all previously mentioned writers are joined with copyeditor Alumna (Elisabeth Moss), this section sees the staff mourn the death of their editor and come together to put together – yep, you guess it – an obituary. Fitting comedy and drama in one story, coupled with a car chase rendered in newspaper comic-style animation, ‘The Private Dining Room of the Police Commissioner’ will have viewers falling in love with Anderson’s storytelling and cinematography (if they haven’t already). With a talented ensemble cast, including Edward Norton as one of the kidnappers, Willem Dafoe as a prisoner and Saoirse Ronan as a loathsome showgirl, ‘The Private Dining Room’ is an ingenious, gleefully unhinged and dynamic installment in the movie. Saving the best for last, Roebuck Wright’s (Jeffrey Wright) ‘The Private Dining Room of the Police Commissioner’ is a food piece that started off with a feature on Chef Nescafe (Stephen Park), a personal chef of The Commissaire (Mathieu Amalric) that then later turns into a coverage on the kidnapping of The Comissaire’s son. His performance as Zeffirelli is just another side of him we’ve not yet seen, but again, isn’t as memorable as Seydoux and del Rio. Chalamet, cinema’s current ‘it boy’, recently gave an impressive performance as Paul Atreides in Dune and will soon debut as Willy Wonka. Tucked in the middle of The French Dispatch, ‘Revisions to a Manifesto’ is quite forgettable but gives great insight into Chalamet’s acting skills. Initially there to report on the movement, Krementz finds herself in a relationship with Zeffirelli and copyediting his manifestos. the movement, but on Krementz’ journalistic integrity. Written and told by Lucinda Krementz (Frances McDormand), ‘Revisions to a Manifesto’ focuses much less on the ‘what is actually happening’ i.e. The third, ‘Revisions to a Manifesto’, sees Dunestar Timothée Chalamet as Zeffirelli, a young student leading a revolution against their local government, involving a police-standoff slash chess match between a group of teens and the authorities.
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Plus, the chemistry between Seydoux and del Toro, bearded and self-destructive, was incredibly intoxicating and believable, unlike the chemistry (or lack thereof) between her and Daniel Craig throughout that almost three hour spy movie. Although the story took up an estimate of 20 minutes to tell, Seydoux’ performance as a mysterious, cold and commitment-phobe lover to Rosenthaler was far much more engaging than her No Time To Dieouting. A strong story on art, love and a tortured artist, we’d argue the masterpiece of ‘The Concrete Masterpiece’ is Seydoux’s performance as prison guard Simone. Adrien Brody plays a similarly imprisoned art dealer and Léa Seydoux is a prison guard who is also Rosenthaler’s muse and lover. Berensen (Tilda Swinton) sees the French Dispatch staff writer recount the exploits of Moses Rosenthaler (Benicio del Toro), an imprisoned artist who becomes a sensation to the outside world. The next story, ‘The Concrete Masterpiece’ by J.K.L. Don’t expect follow-shots like you would in an action film or any sort of cuts or jumpscares like you would see in a horror – instead think of a theatre production, where elements such as characters and buildings etc are constantly being rolled in and pulled out of stage, except it’s a stagnant frame on the silver screen – that’s a Wes Anderson movie. It’s direct-directing, so you see what he wants you to see. Anderson’s style often makes a viewer feel like they’re peering through a glass window into an idyllic and quirky world, coupled with a colour scheme that ping pongs between soft pastel palette and black and white.
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Anderson loves perfect symmetry and using wide shots to show off the vast space and location. Plus, ‘The Cycling Reporter’ introduces viewers to Anderson’s filmmaking style if they’re new to the director. Although the introduction lacks any sort of conflict, Wilson is compelling and easily pulls viewers in.
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Sazerac colorfully describes various locations and residents of the town with clever wordplay and broad physical comedy. ‘The Cycling Reporter’ sees Sazerac cycle through a little French town, reporting on the town’s not so great history via hyperboles.
#God of war characters movie#
Although there are only three main stories in the movie, the movie has a total of five sections to it including an introduction story titled ‘The Cycling Reporter’ narrated by travel writer Herbsaint Sazerac (Owen Wilson) and the ending of the movie ‘Orbituary’ by the magazine staff. Each chosen story plays as an anthology episode, with the writer responsible for the piece narrating it.